Thursday 24 March 2016

Comics Poetry

Symposium close up
It’s not the poem, it’s not the drawing – it’s a new beast altogether!
I love comics. And I love poetry. Recently, I have been concerned I might have to ditch one in favour of the other at the start of NaPoWriMo (National Poetry Writing Month). However, when I look into the realm of comics poetry, I am reminded that these two forms can talk to each other and create something new.
Some time ago, I went to a comics poetry workshop with Chrissy Williams at The Poetry School. It was a wonderful day spent mixing classic poems, internet articles, our own abstract artwork and images from a stack of Iron Man comics. We loosened up our concepts of both poetry and comics and opened the door to the realm of possibility that is “comics poetry”.
The workshop took place at The Poetry Cafe, which at the time housed the exhibition for Over The Line: An Introduction To Poetry Comics. As we worked, we were surrounded by an incredible array of approaches to this exciting new form.

In his comments about Over The LineAlan Moore describes it as a “breathtaking tango”:

This is that spine-tingling moment when two attractive and sophisticated forms, both admired for their rhythm and sense of timing, eye each other across the cultural dance floor. In Over The Line, at once an insightful introduction and a comprehensive showcase for the emerging phenomenon of Poetry Comics, Chrissy Williams and Tom Humberstone provide the best possible venue for what looks like being a breathtaking tango. I really can’t recommend this venture highly enough, and I’d advise you mark your card immediately.
The morning of the workshop, I got the time wrong and arrived an hour early. I sat in a cafe and made a few notes with a view to using them as material later in the day. When these simple statements were combined with the extraordinary figures and landscapes of the Iron Man comics, they took on deeper, more dramatic meanings.
The visual elements – the format, the images, the panelling or lack of it – transform the words, open them up to different meanings. The words, in turn, transform the images. The result is something greater than the sum of its parts – “a new beast altogether”.
The Symposium of Important Things
The Symposium of Important Things
Some wonderful online comics poetry resources: Ink Brick is a micro press for comics poetry. They bring out a print journal twice yearly and have a vibrant website. Check out Bianca Stone’s poetry comics site. She also curates comics poetry content for thethepoetry.com. Chrissy Williams has edited 14 issues of Poetry and Comics, the result of collaborations between poets, writers and artists. You can read them all here.

As I read more about comics poetry, I notice that its practitioners are loathe to define it:

Our job as creators is to make work. I don’t really care whether something doesn’t “count” as comics poetry, because it could just be the first push into new territory, and hybrids and liminal things are always more interesting than those that cleave to orthodoxy.
In this spirit, I look forward to pushing into new territory, both within my own work and within the exciting field that is comics poetry. I’ll be writing a poem a day during the month of April and I’ll be experimenting with comics poetry as I go. I hope some of you will join me!

Wednesday 16 March 2016

Dancing our way through a month of poetry

napofeature2April is National Poetry Writing Month, AKA NaPoWriMo. Each April, people from all around the world set out to write a poem a day for 30 days. There is something wonderful about a creative challenge in which so many people from so many countries are involved. All that energy and focus; it’s like being invited to a big party where everyone is celebrating poetry.
Check out the fabulous NaPoWriMo website set up by Maureen Thorson, a poet living in Washington, DC. Each day, Maureen posts an optional prompt and poetry-related links (this year, the focus is on poetry in translation). A different participant is also featured every day. Hundreds of people register their sites so you can check out how other adventuring poets are doing, read their responses to the prompts, and get inspired.
Of course, the crafting of a poem takes time, and there is plenty of time once the month is over to work on all those drafts. But while April is in session, there is a beauty to the fact that you can’t spend ages agonising over each one. A bit like the timed drawings in making comics, something has the opportunity to come through that might not have done if you had longer to think about it.
This is an opportunity to dive in and try out all sorts of different poetic forms, things you wouldn’t normally try or things you haven’t even heard of. Last year – my second year participating – I tried my hand at a terzanelle, a landay, and an abecedarian poem, to name just three of the many forms the NaPoWriMo website threw my way.
April is the perfect month for a poetic challenge. It begins with April Fool’s Day, after all. Perhaps we can dance our way through a month of poetry, carefree as The Fool in the tarot deck, off on a new adventure.
We need more poets, not fewer, as some critics of creative writing programs would have it. We invite you to do what Russian novelist Leo Tolstoy asked: to add your light to the sum of light. Do it with patience, and love, and respect for the depth and difficulty of the task.
Check out the NaPoWriMo website here. I’ll be posting my poems every day both here and on my blog, Follow the Brush. I look forward to seeing you!