Showing posts with label poetry comics. Show all posts
Showing posts with label poetry comics. Show all posts

Friday, 15 April 2016

The Mirror of You is Waiting



This comics poem is a response to today’s NaPoWriMo prompt:
Because today marks the halfway point in our 30-day sprint, today I’d like to challenge you to write a poem that incorporates the idea of doubles. You could incorporate doubling into the form, for example, by writing a poem in couplets. Or you could make doubles the theme of the poem, by writing, for example, about mirrors or twins, or simply things that come in pairs. Or you could double your doublings by incorporating things-that-come-in-twos into both your subject and form.

Wednesday, 13 April 2016

Fortune Cookie



Today’s NaPoWriMo prompt:
The number 13 is often considered unlucky, so today I’d like to challenge you to beat the bad luck away with a poem inspired by fortune cookies.
In honour of the fortune cookie theme, I broke out a bottle of Chinese Ink. This was my first time using this ink in a comic. And I loved it. I’ve got a thing for using areas of solid black in my comics. But with the Chinese ink, there is quite a different sense of depth to the shaded areas. I have a feeling I will be using it a whole lot more from now on!

Friday, 8 April 2016

Kwik Fit



I wasn’t expecting to be able to write a poem today as I was on my way to the forest. However, the journey had a mind of its own, as journeys often do.

Friday, 1 April 2016

She has forgotten








It’s the first day of NaPoWriMo and I decided to launch straight in there with a piece of comics poetry. Inspired by tales of the selkies, I used material from a variety of sources: my own notebooks, the beauty section in Vogue magazine, and the folktales themselves.
Once I had gathered my written material, I got to work on the images while things were still chaotic and incomplete. I wanted the images to be an integral part of the poem rather than an accompaniment to something that already stood on its own. As a result, I found that the poem needed far less words than I had intended.
The end result – which still feels very much like a work in progress – was certainly greater than the sum of its parts. I have to agree here with Bianca Stone: ‘It’s not the poem, it’s not the drawing – it’s a new beast altogether!

Thursday, 24 March 2016

Comics Poetry

Symposium close up
It’s not the poem, it’s not the drawing – it’s a new beast altogether!
I love comics. And I love poetry. Recently, I have been concerned I might have to ditch one in favour of the other at the start of NaPoWriMo (National Poetry Writing Month). However, when I look into the realm of comics poetry, I am reminded that these two forms can talk to each other and create something new.
Some time ago, I went to a comics poetry workshop with Chrissy Williams at The Poetry School. It was a wonderful day spent mixing classic poems, internet articles, our own abstract artwork and images from a stack of Iron Man comics. We loosened up our concepts of both poetry and comics and opened the door to the realm of possibility that is “comics poetry”.
The workshop took place at The Poetry Cafe, which at the time housed the exhibition for Over The Line: An Introduction To Poetry Comics. As we worked, we were surrounded by an incredible array of approaches to this exciting new form.

In his comments about Over The LineAlan Moore describes it as a “breathtaking tango”:

This is that spine-tingling moment when two attractive and sophisticated forms, both admired for their rhythm and sense of timing, eye each other across the cultural dance floor. In Over The Line, at once an insightful introduction and a comprehensive showcase for the emerging phenomenon of Poetry Comics, Chrissy Williams and Tom Humberstone provide the best possible venue for what looks like being a breathtaking tango. I really can’t recommend this venture highly enough, and I’d advise you mark your card immediately.
The morning of the workshop, I got the time wrong and arrived an hour early. I sat in a cafe and made a few notes with a view to using them as material later in the day. When these simple statements were combined with the extraordinary figures and landscapes of the Iron Man comics, they took on deeper, more dramatic meanings.
The visual elements – the format, the images, the panelling or lack of it – transform the words, open them up to different meanings. The words, in turn, transform the images. The result is something greater than the sum of its parts – “a new beast altogether”.
The Symposium of Important Things
The Symposium of Important Things
Some wonderful online comics poetry resources: Ink Brick is a micro press for comics poetry. They bring out a print journal twice yearly and have a vibrant website. Check out Bianca Stone’s poetry comics site. She also curates comics poetry content for thethepoetry.com. Chrissy Williams has edited 14 issues of Poetry and Comics, the result of collaborations between poets, writers and artists. You can read them all here.

As I read more about comics poetry, I notice that its practitioners are loathe to define it:

Our job as creators is to make work. I don’t really care whether something doesn’t “count” as comics poetry, because it could just be the first push into new territory, and hybrids and liminal things are always more interesting than those that cleave to orthodoxy.
In this spirit, I look forward to pushing into new territory, both within my own work and within the exciting field that is comics poetry. I’ll be writing a poem a day during the month of April and I’ll be experimenting with comics poetry as I go. I hope some of you will join me!